ONE O’CLOCK JUMP - Count Basie and his Orchestra, Private Acetate, Glendale 1939 JUMPIN’ AT THE WOODSIDE - Count Basie and his Orchestra,1938 TAKE IT PREZ - Count Basie and his Orchestra, Live at Southland Theater Restaurant, 1940 TEXAS SHUFFLE - Count Basie and his Orchestra, 1938 JOHN’S IDEA - Count Basie and his Orchestra, 1937 ROSELAND SHUFFLE - Count Basie and his Orchestra, Live at The Famous Door, 1939 * incomparable dynamic energy and rhythmic drive.Ī Tribute to Count Basie and his Orchestra * inspired solo improvisation, especially Lester Young’s revolutionary tenor saxophone * call-and-response patterns between the brass and reed sections, soloists and ensemble * loose head arrangements based on simple riffs * streamlined 4-beats to the measure swing
Recordings from 1937-40 like, “Taxi War Dance,” “Every Tub,” or “Doggin Around” illustrate the Basie orchestra’s forward looking aesthetic & technique: The Basie rhythm was superbly streamlined and subtle - yet delivered terrific forward momentum and punch on the bandstand night after night. The best Basie orchestra tunes like “One O’clock Jump,” “Jumpin at the Woodside” and “Swinging the Blues” are based on simple riffs tossed between the reeds and brass, carried along by a buoyant rhythm section. Basie and the musicians who coalesced around him brimmed with talent, innovation & genius.
#Kansas city jazz style head arrangements full#
Kansas City local Clint Ashlock - artistic director and conductor of the esteemed Kansas City Jazz Orchestra - also helms a jazz quintet.Īnd another must-see act is Jazz Disciples, a quartet featuring saxophonist Gerald Dunn, pianist Everett Freeman, drummer Michael Warren and bassist DeAndre Manning.Now that its been a century since the birth of William “Count” Basie, its clear how crucial he was in bringing Swing music to full fruition. You’ll find fresh faces like Delynia Jannell at early evening Indigo Hour sessions. Take time to explore the museum, grab a bite to eat at a local restaurant in the district and slip into the club for evening entertainment.Ĭheck the Blue Room's calendar for current listings. The club is named after a famed 1930s hotel club that once held court in the district. The Blue Room, part of the American Jazz Museum in the historic 18th and Vine Jazz District, brings Kansas City’s storied jazz past to the present. Here you’ll find luminaries such as pianist Tim Whitmer’s Quartet with Jim Mair, the Matt Villinger Trio and the Leslie McLean Trio. Trios of artists abound here, led by Danny Embry, Rod Fleeman, Ken Lovern, Jeff Shirley, Tyrone Clark and more.īlack Dolphin - a club with the same owner-operator located next to Green Lady Lounge - also packs in guests for evening and late-night sessions. Stylish attire isn't required, but musicians and staff are dressed to the nines - making guests feel snazzier as they sip on cocktails and sit mere feet away from the action on stage.ĭon't miss the Orion Room, a downstairs hideaway with a grand piano and drum kit, where other musicians perform on a second stage. The dark, cozy lounge provides an intimate space to see, hear and experience jazz from both established and up-and-coming artists.Īrrive early to secure a seat, especially on weekends, as many late sessions attract a standing-room-only crowd.
If you're looking for a hip, happening spot to catch evening and late-night jazz sessions, head to Green Lady Lounge in the Crossroads. Twitter Green Lady Lounge in the Crossroads District provides an intimate space to see, hear and experience late-night jazz sessions.
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